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The Traveller in the Evening

Reflections on William Blake, radical theology, politics and surrealism.

[Blake’s] spiritual rebellion against the powerful of this world was not made of that type of water-soluble gunpowder to which we have more or less accustomed ourselves.
James Joyce

Welcome to The Traveller in the Evening, a site focused on the work of William Blake. But it is a loose focus, because, in the right mouths, the discussion of Blake quickly turns to the discussion of surrealism, revolution, radical theology and much else besides. Blake himself easily combined all of these things, well in advance of his age—and ours.

It is… proper to state that Blake never had, strictly speaking, any influence and that it is extremely probable that he never will. The reason is that in Blake we behold not so much a fountain, a source, as a mountaintop.
Phillippe Soupault

The Traveller Hasteth in the Evening is an engraving by Blake from 1793, as part of his early collection, For the Sexes. Blake’s image shows his traveller pacing his way toward some unknown destination. Morton Paley shortened the title to The Traveller in the Evening for his book about Blake’s later works (after Jerusalem). I borrowed Paley’s title for the blog because it reflects my own situation with respect to Blake, and our collective situation more generally.

I’ve been reading Blake for years, quietly taking notes. My dream was to find the time and space one day to write a book about what I learned from him. Right now, it doesn’t seem that day is getting any closer. At the same time, the world has taken a dark and threatening turn, with the rise of far-right globally and of authoritarian governments bent on marching us toward an environmental catastrophe set in train a long time ago. Some days it feels like it is evening everywhere.

The old world is dying, and the old left, in the form of communism and social democracy, has run its course, because it was based too closely on an idealisation of production’s ‘Satanic mills’. The environmental movement is urgently relevant, but struggles to paint a coherent picture of any alternative. Social movements against oppression tackle the world’s abuses without attacking them at the root.To do so would mean coming to a very different picture of who we are in relation to our world. I believe Blake points us toward the necessary reversal of perspectives, to fan the flames of solidarity and help to wake us from our collective sleep. The ramifications of his thought would overturn our deepest assumptions—hence the need to present this new, and unheard Blake: a profound esoteric thinker and a thoroughgoing surrealist militant.

Author: Andy Wilson

Author: Andy Wilson

Andy Wilson lived in Seaham Harbour, Peterlee, Hartlepool, Kings Lynn, Coventry, Torpoint, Eastleigh, Lee-on-Solent, Portland, Weymouth, Loughborough, York and Liverpool before putting down anchor in Hackney, London. On leaving King Henry VIII school in Coventry, he served as an Engineering Artificer in the Royal Naval Fleet Air Arm. Andy studied at the Co-operative College, York University and Middlesex University. Since then he has worked as a political full-timer, a lecturer in FE and in the Workers Educational Association, as a computer programmer, and finally as an engineering manager, CEO and a Director of a number of companies. With Ben Watson / Out to Lunch, he founded the Association of Musical Marxists (AMM). He has authored and edited books on the group Faust ('Faust: Stretch Out Time 1970-75'), the Romanian Spectral / Acousmatic composers Iancu Dumitrescu and Ana-Maria Avram ('Cosmic Orgasm'), and on the Syrian Revolution ('Khiyana'), and he created a series of psychedelic-fanzine illustrations to Blake ('The Brilliant New Hercules: A Blake Reader'). He has been a trustee of The Blake Society. His main interests lie with Blake, radical theology and politics, and Surrealism.